
"Book of My Life", Sting: From the "Sacred Love" album, Sting's lyric captures a bevy of universal human experiences. I love this tune.


"Eleanor Rigby", The Beatles: There can be no greater example of collaboration bringing art to a higher form. Paul McCartney tells the story of all the people we never notice, and George Martin adds the urgency of "the lonely people" with a string arrangement that stands well on it's own (if curious, the string tracks only are available on Beatles Anthology 2)
"What Sarah Said", Death Cab for Cutie: The power of the coda! It's a little used technique in pop music, and works so well in this tune to turn a deathly sad story into an action item for our lives. I love it. Not to mention the subtlety of the drums as the coda builds. Wrenching!

"Take Me Out the Ballgame": With lyrics by Jack Norworth and music by Albert Van Tilzer, this is a classic from old Tin Pan Alley. It is the score to the happiest moment in sports, the old seventh inning stretch, and I hear it as a testament to the timelessness of the game of baseball. It wasn't until 20 years after the writing of this song that EITHER of the composers actually attended a baseball game; yet on a subway car in Manhattan it took just 15 minutes to pen a lyric that stands for all the joys of America's game. (are you convinced that this is my list yet?)

"Hide and Seek", Imogen Heap: This song turned me around on electronic music. I'm a fan of lines in music, and though this sounds quite chordal I find it a stunning marriage of classical writing techniques and electronic music. To me, this is what beautiful electronic music can be.

"Things We've Handed Down", Marc Cohn: The honesty of this song is disarming. It's a perfect pairing of gentle musical questioning and a deep sense of awe-struck wonder. I love Marc Cohn's approach to songwriting.

"Cry On Demand", Ryan Adams: Geez, this is the saddest song ever written. It's so simple and deeply personal in Ryan Adams's rendering of the lyric. I can't avoid feeling the pain that inspired this song, and that is the beauty of music.

"With or Without You", U2: An entire song that is, essentially, a crescendo. And when the fortissimo arrives it's with such restraint that the tension is hardly released . . . just three notes from the guitar and a screaming lead singer. Add a live performance with a crowd of thousands unanimously and cathartically belting a non-sense syllable and you've touched upon genius.
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